Abstract: The Six Character Painting Manual of Tang Poetry is a painting manual from the Wanli period of the Ming Dynasty, which includes a total of 58 six character poems and 18 without accompanying illustrations. Most of the six character poems recorded in the picture sheet are fake works, which can be divided into three situations: first, changing the titles or authors of the poems written by Tang people; The second is to rewrite based on five character or seven character poetry; The third is self created by Ming people, named after Tang people. The publisher selected 8 poems signed by Li Bai and a large number of mid to late Tang poems, which reflects the trend of the times. The poetry and painting in The Six Character Painting Manual of Tang Poetry are mostly one-to-one correspondences of panoramic images, forming a fixed pattern. The painter incorporates the poet into the painting, attempting to present the reader with the scene of the poet writing poetry. The contrast between poetry and painting, as well as the panoramic style of picture creation, have an impact on the acceptance of the score and the reading experience of readers. Readers search for the content mentioned in the poem in the picture, and the details in the picture present the poem, thereby achieving the reader's expectations. After receiving positive affirmation, they gain the pleasure of reading.