论中国戏曲“剧史”传统的确立

On the Establishment of the Dramatic Historiography Tradition in Chinese Opera

  • 摘要: 在中国戏曲的历史演进与时代变革中,逐渐形成并延续着一种“剧史”传统。“剧史”传统在宋元南戏、元代杂剧中萌发,于明代文人传奇与杂剧中得以强化,清初《桃花扇》的出现则标志着“剧史”传统的正式确立。“剧史”传统又在其后的传奇杂剧中得以延续和传承,并在清末及民国时期的传奇杂剧中进一步强化和彰显,而同时期的京剧及其他花部戏曲、源自西方及日本的早期话剧则走向了不同的方向。“剧史”传统不仅是中国戏曲的重要精神传统和艺术追求,是中国文学思想传统、艺术理想在戏曲领域的集中体现,而且是中国传统思想文化的核心精神、价值取向、基本品格所滋养赋予的结果,是中国学术思想传统中尚史尚实、重史重事、经时济世的现世精神在戏曲领域的映射。在当下的中国戏曲研究中,不应因过度强调和张扬所谓“抒情性”“叛逆性”而明显忽视或遮蔽原本源远流长的“剧史”传统。中国戏曲的“剧史”传统不仅应当在中国戏曲研究中得到明确确认和充分评价,而且在当下仍然具有可资借鉴传承的思想文化价值和启迪警示意义。

     

    Abstract: In the historical evolution and era-specific transformations of Chinese traditional opera, a dramatic historiography tradition has gradually taken shape and persisted. This tradition originated in the Southern Opera (Nanxi) of the Song and Yuan dynasties and the Zaju(杂剧) of the Yuan dynasty, and was further consolidated in the Chuanqi and Zaju (传奇杂剧) of the Ming dynasty. The emergence of The Peach Blossom Fan (桃花扇Tao Hua Shan) in the early Qing dynasty marked the formal establishment of the dramatic historiography tradition, which was sustained and inherited in the subsequent Chuanqi and Zaju works, and further strengthened and highlighted in the Chuanqi and Zaju of the late Qing dynasty and the Republic of China period. In contrast, Peking Opera, other regional operas of the "Huabu" (花部), and the early modern drama introduced from the West and Japan took distinct developmental paths during the same period.The dramatic historiography tradition is not only a crucial ideological and artistic tradition of Chinese traditional opera culture, as well as a concentrated manifestation of the ideological traditions and spiritual pursuits of Chinese literature in the field of traditional opera, but also a product nurtured by the core spirit, value orientation, and fundamental character of traditional Chinese ideology and culture. It reflects the pragmatic spirit embedded in traditional Chinese academic thought—an emphasis on history and reality, a focus on historical events, and a commitment to addressing the practical concerns of the times—within the domain of opera.In current researches on Chinese traditional opera, excessive emphasis on so-called "lyricism" and "rebelliousness" should be avoided, as this has led to a noticeable neglect or overshadowing of the long-standing dramatic historiography tradition. The dramatic historiography tradition of Chinese traditional opera not only deserves explicit recognition and appropriate evaluation in Chinese traditional opera studies, but also retains valuable ideological and cultural significance for inheritance and reference, as well as enlightening and cautionary implications in the contemporary era.

     

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