《看得见风景的房间》:婚恋叙事、生活方式与审美趣味

A Room with a View: Love Narration, Lifestyle and Aesthetic Taste

  • 摘要: 福斯特《看得见风景的房间》通过传统的婚恋叙事展现出英国爱德华时期中产阶级的趣味特质,进而呈现出社会转型时期这一阶级的情感观念、价值取向等生活方式的群体症候。英国中产阶级对工具理性、功利主义和物质文明的极度推崇引发了趣味的变迁,不仅促成了以财富为核心逻辑的“非利士趣味”,而且导致了趣味与情感感受、道德修养的分离。福斯特《看得见风景的房间》不仅展现了对中产阶级异化趣味观的批判,同时也呈现了对培育良好趣味的思考,旨在促进个体完善与共同体形塑,折射出深厚的现实关切。

     

    Abstract: The love narration presents the cultural landscape of family ethics, opinion of values and social mentality in a particular era by describing love and marriage in daily life. A Room with a View, a novel of E. M. Forster, is the only one with a happy ending. Ostensibly, the novel is an "Austin love story" by employing the traditional narrative of love and marriage, but actually it shows the changes of life style and aesthetic taste in this period. Due to the prevailing materialism, utilitarianism and rationalism during the Edwardian period, the taste which should embody aesthetic and cultural aspects was alienated into the instruments of manifesting class status and material wealth, thus a kind of "Philistinism taste" was developed. Forster echoes with Matthew Arnold's concept of "beauty" by stressing that gentility is an external and superficial taste, while the highest realm of taste is the drive to moral cultivation and emotional cognition. Forster's profound cultural vision can be revealed from his view of taste that he not only concerns with the individual taste for cultivation of the mind but also calls for the collective one which is crucial to the construction and maintenance of community.

     

/

返回文章
返回