王渔洋的“风调”说与中晚唐诗的接受——以《才调集选》为中心

WANG Yuyang's Theory of "Fengdiao" and the Reception of Mid-Late Tang Poetry——Centered on Selected Poems from Cardiao Ji

  • 摘要: 王渔洋诗学博综兼长,中晚唐诗是其诗学渊源的一部分。《才调集选》作为唐人选唐诗的删定本,既拈出韦縠《才调集》的选诗宗旨“风调”,又以“去俗存雅”的标准删汰其选诗,由此剔出中晚唐诗真面目。选本之外,王渔洋又以《才调集》和“风调”为标准评论清初诗人,而他自己的部分诗歌创作同样表现出“风调”的特征。王渔洋的“风调”说,上承欧阳修、杨万里、元好问等的晚唐诗论述,对中晚唐诗歌接受史产生了深刻影响,最终形成“晚唐风调”的诗学概念。

     

    Abstract: WANG Yuyang's poetics, comprehensive and profound, drew from the poetry of the mid-late Tang as part of its theoretical lineage. Selected Poems from Caidiao Ji(《才调集选》), not only highlights the editorial principle of "Fengdiao"(风调) in Wei Gu's Caidiao Ji(《才调集》), but also refines its selection by the criterion of elegance and propriety, thereby revealing the true essence of mid-late Tang poetry. WANG Yuyang also evaluated the poets of the early Qing by the standards of Caidiao Collection and "Fengdiao"(风调). His own poems similarly exhibit the characteristics of "Fengdiao". WANG Yuyang's theory of "Fengdiao" inherited the late Tang poetry discourses from scholars such as OUYANG Xiu, YANG Wanli, and YUAN Haowen. Since the early Qing, it has profoundly influenced the reception history of mid-late Tang poetry, ultimately giving rise to the poetic concept of "Late Tang Fengdiao".

     

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