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JIN Chengyu, CHEN Min. From Jiangzhou to Haidong: The Song Publication of the Jiannan Poetry Manuscripts and the East Asian Anthologies[J]. Journal of South China normal University (Social Science Edition), 2025, (5): 43-55.
Citation: JIN Chengyu, CHEN Min. From Jiangzhou to Haidong: The Song Publication of the Jiannan Poetry Manuscripts and the East Asian Anthologies[J]. Journal of South China normal University (Social Science Edition), 2025, (5): 43-55.

From Jiangzhou to Haidong: The Song Publication of the Jiannan Poetry Manuscripts and the East Asian Anthologies

  • The early anthologies of Lu You poetry (including encyclopedic compilations and general anthologies) in East Asia, though belonging to China, Japan, and Korea, are all derived from the Jiangzhou edition of the Jiannan Poetry Manuscripts, preserving to a certain extent the appearance of the Song edition. Together with the existing Yanzhou edition of the Jiannan Poetry Manuscript, the Jiangzhou edition of the Song scrolls, and the Jiguge edition, they constitute a rich system of literature on Lu You poetry. Through the collation, the errors in the base text of the Jiguge Pavilion text and the corrections made by Mao Jin and his son can be presented, partially restoring the textual characteristics of the existing Song Jiangzhou text of the Jiannan Poetry Manuscripts, and reflecting the textual dynamics of the Yanzhou first-engraved text, the Jiangzhou text, and the Yanzhou renewed-engraved text. Although the Jiangzhou text of the Jiannan poetic manuscript is not explicitly listed in the bibliography, it is the version of Lu poetry that has had the greatest influence on East Asian anthologies. The source of the four newly recorded anonymous poems is the seven volumes of the Jiangzhou text of the Remaining Manuscripts.
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