方笑一. 宋代山水画题跋与画作的三重因缘[J]. 华南师范大学学报(社会科学版), 2021, (6): 188-195.
引用本文: 方笑一. 宋代山水画题跋与画作的三重因缘[J]. 华南师范大学学报(社会科学版), 2021, (6): 188-195.
FANG Xiaoyi. On the Triple Relationship Between the Inscriptions of Landscape Paintings and the Paintings in the Song Dynasty[J]. Journal of South China normal University (Social Science Edition), 2021, (6): 188-195.
Citation: FANG Xiaoyi. On the Triple Relationship Between the Inscriptions of Landscape Paintings and the Paintings in the Song Dynasty[J]. Journal of South China normal University (Social Science Edition), 2021, (6): 188-195.

宋代山水画题跋与画作的三重因缘

On the Triple Relationship Between the Inscriptions of Landscape Paintings and the Paintings in the Song Dynasty

  • 摘要: 宋代山水画题跋与画作关系密切,具有三重因缘。题跋的书写对象主要是画中山水,对山水的“二度描摹”在很大程度上决定了题跋中山水描写的特征与风貌。题跋作者对山水画灵感的来源有一己之构想,这个来源通常被归于画家的“胸中丘壑”,是一种主观精神。有一些著名的山水画题材被反复绘制,题跋对同一题材的画作进行了多维呈现。

     

    Abstract: There is a triple relationship between the inscriptions of landscape paintings and the paintings in the Song Dynasty. The writing object of inscriptions is mainly the landscape in the painting. The "second description" of the landscape determines the characteristics and style of landscape description in inscriptions to a great extent. The author of the inscription has his own conception of the source of inspiration for landscape painting, which is usually attributed to the artist's "hills and gullies in the chest", which is a subjective spirit. There are some famous landscape painting themes that have been drawn repeatedly. The inscriptions present the paintings of the same theme in multiple dimensions.

     

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