“诗可以观”与《诗经》的文学阐释学——以欧阳修、苏辙的诗经学为中心

"Poetry Can Be Viewed" and the Literary Hermeneutics of The Book of Songs— Centering on Ouyang Xiu and Su Zhe's Study of The Book of Songs

  • 摘要: 《诗经》的文学阐释是一个只有在经义得到保障的前提下才能讨论的问题,它在最大程度上取决于诗意和经义的结合方式,涉及《诗经》的读法。根据“诗可以观”的读法,宋人在读者自我理解的层面上释放经义的潜能,从而置换出一个相对独立的诗意空间,并极大地解放了诗歌的人情世界。在这种情况下,诗歌的贞淫邪正并不妨碍观风知政或观己得失的经学功能,学者们也就不必过分纠结于诗意和人情的自然属性了。“诗可以观”的文学阐释学功能即在于此。它将诗意嵌入了诗经学的意义结构之中,使我们能够更加有效地来谈论《诗经》的文学阐释史。

     

    Abstract: The literary interpretation of The Book of Songs is an issue which can be discussed only under the premise that the Confucian significance is guaranteed. It depends on the combination of poetry and Confucian significance to the greatest extent, involving the reading of The Book of Songs. According to the reading method of "poetry can be viewed", the people of the Song Dynasty released the potential of Confucian significance on the level of reader' self-understanding, thus made the relatively independent poetic space and greatly liberated the emotional world of poetry. Under such circumstances, the positive or negative of poems does not hinder the function of the Confucian significance of watching the folkway and knowing politics or "observing one's own gains and losses", so scholars do not have to be too entangled in the natural attributes of poetry and emotion. The function of literary hermeneutics of "poetry can be viewed" lies here. It embeds poetry into the meaning structure of poetics, enabling us to talk more effectively about the history of literary hermeneutics of The Book of Songs.

     

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