魏晋隐逸思想及“逸”范畴的诗学生成

Hermit Ideas and the Poetic Generation of the Yi Category in the Wei and Jin Dynasties

  • 摘要: 在儒学礼教衰落和玄学“贵无”“得意”思维方式的影响下,魏晋时期出现了不重隐之实而重隐之意的仙隐、朝隐等新的隐逸方式,侧重点由“隐”转向了“逸”。这些新的隐逸思想内在地塑造了魏晋士人追求自由、逍遥的风度和品格,而士人的精神品格又直接反映在文学创作中,促成了魏晋诗歌脱离现实和事功,注重辞藻的华丽与绮靡。经由人物品藻的反复运用,“逸”进入文艺领域,成为书论、文论中的重要概念。这样,“逸”就由形容魏晋士人高雅风度的日常用语逐渐演变成形容诗文作品某种格调的诗学用语,并在后世发展成为中国古代诗学的一个重要范畴。

     

    Abstract: Under the influence of the decline of Confucianism and ritualism and the metaphysical theory of nonbeing, some hermit ideas such as "Xianyin " and "Chaoyin" appeared in the Wei and Jin Dynasties, which did not emphasize the fact but the meaning of seclusion, the focal point shift from "Yin" to "Yi". Scholars in the Wei and Jin Dynasties were intrinsically shaped by these new hermit ideas to pursue the way of freedom and carefree, and their spiritual character directly presented in the literary creation, which contributed to the elegance and beauty of the poetry remote from reality. After the repeated use of scholarly evaluation, "Yi" entered the field of literature and art, and became an important concept in the theory of books and essays. In this way, Yi gradually evolved from a daily phrase to describe the elegant manners of the scholars in Wei and Jin Dynasties to a poetic phrase to describe a certain style of poetry and literature, and developed into an important category of ancient Chinese poetics in later times.

     

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